
By Erin Lyndal Martin / Photo: Natalie Gibbs
What is left of us? Why does the trace have power? How far do we want to stray from what we still know to be the human? How far? Really, how far? Are we prepared for what we are encountering?
I saw Jorie Graham give a reading once in spring 2008. It was at the Brookline Booksmith in the Boston area, and she was reading from her then-new collection Sea Change. Though I’d loved her work for years, I wasn’t sure what to expect at her reading and feared that in person she might not conjure the meticulous passion that’s informed her work throughout her career.
But when Graham stepped up to the microphone, she didn’t do the usual cursory introductory banter poets usually do before quickly diving into their poems. Instead, she spoke at length about all of the different environmental crises we were undergoing. She talked of melting ice caps, the disappearing of bats, a number of terrifying crises, all with the same exigency. By the time she began to read her poems, we all knew what was at stake, in her book and on our planet.
Les mer «THE POSSIBLE ABSENCE OF A FUTURE / The Rumpus Interview with Jorie Graham»



